Friday, July 28, 2017

How to Save Face

"A Midsummer Night's Dream" by Borda.deviantart.com
Some days
begin with
So many faces
to face.
We awaken to digits,
our delta hands
spreading to find
the pulsing alarm
to still it back
to sleep

The brain is yet
in mid-howl
of night terror
as the mind
rushes in to 
shush and
soothe
or fill with dread
by logos
and memory
of the hours
ahead.

Do not face
your own
or another’s
arrangement
of eyes, nose
mouth, chin
and their morning song:
the blink and sniff
and cough,
before
you face
a better page,
not bolting
straight from
sheets still pressed
into the cheek.

This page
of your own making
has come to you
softly
like a pair
of satin slippers
set down before
your bed, before
the royal feet
hit wood, stone, 
fiber, or soil.
This is your kingdom
of pulp and ink
to ride across
on a mad tear
of scribble
and illegibility

The lines of your
sovereign heritage
surround you
even as the first
toe pokes through
the hole in
this humbled
state of hearing
either
whisper or bustle,
first thing.
No matter which, 
you can suspend
their animus
just long enough
to remember
who you are
before the
daily being told
begins

The grace of your
exalted domain
announces you before
you recall your name,
that foreign word, 
attached to
the who of you,
mercifully
to be momentarily forgotten
as a curled slip
from a past night event
left in a best coat
pocket.

If need be,
set a fiery beast
to guard this 
morning note
as it quivers in
the air before you,
or simply draw a circle of chalk
on the floor around you,
or throw your apron up
over your head.
There are so many ways
to greet your lover within,
and the soul
conspires with you

Put hand to page
and feel its
smooth salutation
even before lids
open
and pull it close.
Your pen stirs up
a whirl of leaves
so that you can
see what you seek
hear what you call
find your courage
there, the sticking point
of your sword
that you will
come to gladly
fall upon
each
day

and wonder
at how you lived
before you did so

And now, all the faces,
Let them come

                -- by Lizbeth Leigh
                    
© copyright 2017 Guilded Lily Press

from a production of Shakespeare's A Midsummer Night's Dream by Casey Wilder Mott, kickstarter.com



Tuesday, July 4, 2017

Exceptional Excerpts: Revolutionary Ripostes, Barbs and Aspersions

American politics. If you think it’s bad, now (and it is), let’s consider how it began. Maybe the atmosphere has been mild and more to our liking from time to time, but our leaders have really never come to terms with each other, beyond agreeing that regime change will not happen by a militaristic coup d’etat. There is a public contract among officials that we all will conduct ourselves according to law, of course, but a general and reciprocal sense of high regard and mutual respect among the elected isn’t even an aspiration, let alone a requirement, for office.

Our discourse is vulgar and accusatory, and often beggars belief, but the overall intent to discredit the opponent was the same then as now. Although the founding fathers managed to vote as one for independence, that unified spirit was transitory. Reputations were not protected, intentions were not assumed to be honorable, and enormous egos marched across state lines and sailed across the Potomac. 

For all that, here we are, at one more celebration of another revolution around the sun as a Union. So, for one day, perhaps we can refrain from clutching our pearls over what news anchors said about what was said about them, and let our forbearers flip their wigs in perpetuity:

Archived at DelanceyPlace.com:


From the book The Unknown American Revolution: The Unruly Birth of Democracy and the Struggle to Create America by Gary B. Nash, Copyright 2005

" 'The history of our Revolution,' fretted John Adams, 'will be one continued lie from one end to the other. The essence of the whole will be that Dr. Franklin's electric rod smote the earth and out sprang George Washington.' Adams complained endlessly about how Franklin was overrated and underhanded, and it pained him immensely to think that the story would go on 'that Franklin electrified [Washington] with his rod, and hence-forward these two conducted all the policy negotiations, legislatures, and war.' 

Adams couldn't decide who would be best remembered in history—Franklin or Washington—but he knew for a certainty that both deserved less credit than he. 'I never knew but one man who pretended to be wholly free from [vanity]' Adams wrote of Franklin, 'and him I know to be in his heart the vainest man and the falsest character I have ever met with in life.' Washington wasn't much better. Adams grumbled about 'the superstitious veneration that is sometimes paid to General Washington,' because 'I feel myself his superior.' ...

"The author of the Declaration of Independence also took his lumps, and administered a few, as he and his band of brothers tried to assess the American Revolution after the smoke had cleared and the ink on the peace treaty had dried. Jefferson found Adams impossible: 'He hates Franklin, he hates Jay, he hates the French, he hates the English,' wrote the Monticello patriarch in 1783. 

Adams returned the favor. At one point he assured a friend in Philadelphia that Jefferson was not 'a true figure' of the Revolution and that drafting the Declaration of Independence was a 'theatrical show' in which the man from Monticello had 'run away with all the stage effect ... and all the glory of it.' After losing the presidency to Jefferson in 1800, Adams called his rival so 'warped by prejudice and so blinded by ignorance as to be unfit for the office he holds.' 

Many of Adams's Congregational minister friends agreed. One predicted that Americans would 'rue the day and detest the folly, delusion, and intrigue which raised him to the head of the United States.' Other clergymen bombarded their parishioners with descriptions of Jefferson as an adulterous atheist and a toadying lover of the hopelessly corrupt French, whose revolution was as attractive as a plague.

"Washington quickly became the avatar of revolutionary achievement because the nation could hardly do without a conquering hero. But privately—and sometimes very publicly—many of his closest associates thought differently. Charles Lee, who became Washington's third-ranking general and had a low opinion of his commander's generalship, sneered at what he called the 'infallible divinity' of the commander in chief and called him 'a bladder of emptiness and pride.' Tom Paine, even after Washington had virtually been sanctified, told the public that had honored him for the crucial essay Common Sense that Washington was 'treacherous in private friendship . . . and a hypocrite in public life.' In an open letter to the retiring president he capped his denunciation: 'As to you, Sir... the world will be puzzled to decide whether you are an apostate or an impostor; whether you have abandoned good principles, or whether you ever had any.' "

If John Adams could have picked a song to sing the blues about political rejection and recrimination, perhaps he might have turned to a young Elton John, who sang for “The Top of the Pops” during America’s Bicentennial in 1976:

"Sorry Seems to Be the Hardest Word"

What have I got to do to make you love me
What have I got to do to make you care
What do I do when lightning strikes me
And I wake to find that you're not there

What do I do to make you want me
What have I got to do to be heard
What do I say when it's all over
And sorry seems to be the hardest word
It's sad, so sad
It's a sad, sad situation
And it's getting more and more absurd
It's sad, so sad
Why can't we talk it over
Oh it seems to me
That sorry seems to be the hardest word

What do I do to make you love me
What have I got to do to be heard
What do I do when lightning strikes me
What have I got to do
What have I got to do
When sorry seems to be the hardest word